What do you think about when you see cemeteries? I had an illuminating session in York Cemetery with Dr. Julie Rugg, and she had some wonderful insights about how cemeteries change over time. Gareth Beale, Florence Laino, and I filmed Julie for the upcoming Heritage Jam, and I threw together a short preview.
It was interesting filming again, and getting up to speed with Final Cut Pro X. I primarily worked with FCP 7, and X had several surprises for me. I also noticed that archaeologists (and people in general) are not putting out quite as much media content under the Creative Commons license that allows me to reuse and remix resources. I really had to hunt around for that burial register image. I’m not sure if it is that people have stopped using Flickr for archives or that newer media makers are not as familiar with Creative Commons. Regardless, please consider licensing your media with Creative Commons so they can be reused for other outreach projects!
Finally, if you have not yet registered, please consider joining us for the upcoming Heritage Jam on July 11-12. Even if you do not consider yourself an artist or a maker, we are pairing people with complimentary strengths to work together to create new, interesting interpretations of heritage. Check it out:
I just submitted an abstract for Catriona Cooper and Sara Perry’s Seeing, Thinking, Doing: Visualisation as Archaeological Research session at the Chicago Theoretical Archaeology Group meeting, 9-11 May. They haven’t accepted it yet, cross your fingers for me!
Simulacra and Cultural Heritage in Qatar
Colleen Morgan and Daniel Eddisford
“Old” is a new topic in cultural heritage and preservation in Qatar. In the past four years we have worked on projects that have investigated archaeological remains from a variety of sites in the region, and virtually reconstructed these remains, drawing on the archaeological record and standing buildings in the region. Other reconstructions in the region include a town that was reconstructed for a movie and the heart of Doha, Souq Waqif. These reconstructions did not adhere to the “truth” of the archaeological record, but elaborated on aesthetic aspects that were important markers of cultural identity. In 2012-2013, we excavated within a “heritage house”, a reconstruction performed in 2006, and documented the differences between an archaeological past and an aestheticized past. Our paper queries ideas about “truth” in archaeological reconstructions, both virtual and actual, and the conclusions we can draw from these truths.
Last spring I started gathering information on cultural heritage sites in Second Life, in the interest of keeping track of the many projects ongoing in Second Life. Out of this came CHiSL, or Cultural Heritage in Second Life, a loose group of projects and individuals interested in the topic. I finally got around to creating (yet another) blog that will be a central place for news on these projects and developments with a class that I am helping out with, a Second Life DeCal (class by undergraduates taught by an undergraduate) that is based around OKAPI island, the Çatalhöyük reconstruction hosted by the University of California, Berkeley.
Here’s the link to the blog:
Any other contributions (Electric Archaeologist, I’m looking at you) would be welcome. Of course, I still need to put up the information from the WAC session, so I’m already behind.