Dan and I wrote a short polemic for Bill Caraher’s series on Craft and Archaeology. It was a hydra of a piece to write–we wanted to be succinct and direct, but it kept spiraling out of control. We obviously have a lot more to say on the subject, here’s a short excerpt:
Digging is the most evocative archaeological practice, yet it is the most undervalued mode of archaeological knowledge production, least cultivated skill with fewest monetary rewards, and is considered so inconsequential that non-specialist labor is regularly employed to uncover our most critical data sets.
Click HERE to read the rest.
Real Estate Open House, by Fotis Ifantidis
My review of Fotis Ifantidis’ Archaeographies came out in the Journal of Contemporary Archaeology. I’m not sure why there aren’t figures, but oh well.
A quote from the review:
Out of the thousands of photographs taken at Dispilio, Ifantidis has selected examples that are, on the surface, aggressively non-archaeological. These photographs do not effectively document the archaeological record in a way that is acceptable as standard site photography: scales, when deployed, are haphazard, artifacts are scattered and in partial focus, and site overviews are messy and full of distracting tools or loose dirt. This is entirely intentional.
Read the rest here:
As I previously mentioned, Jason Quinlan and I co-presented a poster at this year’s EAA in Istanbul. While it isn’t quite as brilliant as Alison Akins’ Plague Poster, I enjoyed putting something together about the photography at Çatalhöyük, especially with one of the primary photographers involved!
Regardless, I’ve put our poster below. Of particular note is the immense increase in the size of the archive after Photoscan was introduced at Çatalhöyük.
Jason and I collaborated on this remotely, and so there is some funny bits with converting between iterations of Illustrator, most notably in the wandering photo code above.
Let me know what you think!