TAG Chicago: Simulacra and Cultural Heritage in Qatar

I just submitted an abstract for Catriona Cooper and Sara Perry’s Seeing, Thinking, Doing: Visualisation as Archaeological Research session at the Chicago Theoretical Archaeology Group meeting, 9-11 May. They haven’t accepted it yet, cross your fingers for me!

Simulacra and Cultural Heritage in Qatar
Colleen Morgan and Daniel Eddisford

“Old” is a new topic in cultural heritage and preservation in Qatar. In the past four years we have worked on projects that have investigated archaeological remains from a variety of sites in the region, and virtually reconstructed these remains, drawing on the archaeological record and standing buildings in the region. Other reconstructions in the region include a town that was reconstructed for a movie and the heart of Doha, Souq Waqif. These reconstructions did not adhere to the “truth” of the archaeological record, but elaborated on aesthetic aspects that were important markers of cultural identity. In 2012-2013, we excavated within a “heritage house”, a reconstruction performed in 2006, and documented the differences between an archaeological past and an aestheticized past. Our paper queries ideas about “truth” in archaeological reconstructions, both virtual and actual, and the conclusions we can draw from these truths.

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Author: colleenmorgan

Dr. Colleen Morgan (ORCID 0000-0001-6907-5535) is the Lecturer in Digital Archaeology and Heritage in the Department of Archaeology at the University of York. She conducts research on digital media and archaeology, with a special focus on embodiment, avatars, genetics and bioarchaeology. She is interested in building archaeological narratives with emerging technology, including photography, video, mobile and locative devices. Through archaeological making she explores past lifeways and our current understanding of heritage, especially regarding issues of authority, authenticity, and identity.

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