Category Archives: future

Archaeology Hack-a-thon! The Heritage Jam, Cemeteries & Audioscapes

Heritage_Jam_upload

Alexis and Sam, hacking away!

I wasn’t sure what to expect. Sure, I knew the basic outlines of what a “Jam” should be in the tech/gaming world–everyone comes together to hack on a project together to see what kind of results you can get with very intense focus for a short amount of time–but how would that play out in the world of interpretation and heritage? I just knew that I was excited to finally have a chance to work on something with other visualizers, some of whom I’d known for years. We started out bright and early at 9:00, went through introductions, got an outline of a plan together, then went to York Cemetery to gather primary data…

(Read the rest of the post written by me and Stu Eve at the Day of Archaeology website)

AAA 2013: A Digital Ecology of Sharing Archaeology

Sorry to post yet another abstract, but the American Anthropological Association has come to San Francisco and I’m presenting in a fantastic panel titled, Sharing Anthropology: Theorizing Anthropological Research in the Age of Social Media. All of the rest of the presenters are anthropologists (except for Ryan Anderson, who is a sneaky former archaeologist) so I’ll be one reppin’ the field.

Sadly my slides aren’t going to be quite as fantastic as the ones I previously posted, but what can you do? Here’s my abstract:

A Digital Ecology of Sharing Archaeology

Clean. Draw. Photograph. Level. Record. Dig. Sample. Sort Artifacts. Share.

Share?

Archaeologists are increasingly recognizing the benefits of an online presence. Field school blogs and project Facebook pages have become standard outreach fare. Yet this outreach is often an afterthought, relegated to undergraduate students and rarely cultivated as a legitimate expression of archaeological research. I argue that unless digital sharing moves beyond a rarely-updated Facebook page and is integrated into all aspects of archaeological practice it will always be considered an illegitimate by-product, remaining at the fringes of our profession, a poor shadow of the potential that digital outreach has for communicating with the public. This integration involves disrupting our professional customs to re-frame our research in terms of expressive, teachable moments. Contrary to the opinion that sharing at an intimate level would compromise our research, I argue that sharing can introduce reflexivity into the archaeological process and increase multivocality among project participants. Creating a digital ecology wherein archaeological research is made available “at the trowel’s edge” and rewarded as a legitimate undertaking is risky, unpredictable, and utterly necessary to usher archaeology into the digital age.

CV – Revamp

I occasionally get people downloading my CV from my About page, and I feel a little embarrassed when it happens. The New Media CV is three years out of date, and the Archaeology CV is a ridiculous six pages long! I’ve made selective CVs from time to time for permits, the Qatar job and whatnot, but I wanted to make a one-page CV that shows what I do. I’ll certainly revise it when I start applying to academic jobs, but I think that it’s a pretty good representation of the weird interdisciplinary space I’m in.

While I was tempted to be creative, I just chose a slightly different font for my name and the section titles. I used Adobe Illustrator instead of Word so I could play with the spacing, but it looks like there’s some funny spacing under Publications.

The content of the CV was a little hard as well; there’s a reason I’ve kept separate archaeology and new media CVs. My teaching experience (11 semesters, not including field schools) and fieldwork (10 academic sites and about the same in CRM) took up a page each! I also knocked out my awards/honors and my grants because I think that most people if they don’t see NSF or Wenner Gren, they aren’t interested. The last thing I cut were my papers presented because there were 13 of them and the best of them have turned into publications anyway.

So what do you think? Too unprofessional? Too boring? Let me have it!

A Death Knell for OKAPI Island?

An interesting (and aggravating) confluence of events occurred this week, all of which may have some bearing on the future of OKAPI island, where we host our experimental reconstruction of the Neolithic site of Çatalhöyük. You can check out the history of my experience with OKAPI island if you click on the “Second Life” tag in the sidebar.

On October 5th, Linden Labs announced that they are discontinuing the academic discount, effectively doubling our already exorbitant fees for OKAPI Island. The changes will take place 1 January, 2011. We just found out about it a couple of days ago–already in mid-semester full-swing development–we were implementing several projects, including the creation of a script that automatically recreated pot-prims from rim drawings, hosting the Bristol TAG film festival, a fully developed lesson plan for elementary school teachers that used the island, and a new more interactive museum. Needless to say, this has thrown a considerable monkeywrench into our semester.

On that note, it is also Open Access Week. We are looking into porting the project to OpenSimulator, which we probably should have been using from the start. Sadly the learning barrier is even higher than that of Second Life, so it is not obvious that OpenSim is a viable solution. We have had to switch from our existing projects to a kind of virtual triage–the downside of using proprietary formats and worlds. We will probably try an appeal to Linden Labs, but are pessimistic of any results. OKAPI Island was never intended to be “forever,” but the end may come faster than anticipated.

As a side note, the anticipated comic session for Bristol TAG was cancelled (booo!), so I threw my lot in with the CASPAR (audio-visual practice-as-research in archaeology) folks. I submitted this abstract and title:

Machinima and Virtually Embodied Archaeological Research

OKAPI Island in Second Life has been the site of archaeological research at the University of California, Berkeley since 2007. During this time the island has hosted lectures, film festivals, tours, educational outreach, and archaeological reconstructions created by a team of undergraduate and graduate students. In Fall of 2009, the OKAPI team pushed boundaries in interpretation and filmmaking by making archaeological machinima (movies made entirely within virtual worlds), the actor/avatars wearing the “skins” of the Neolithic residents of Çatalhöyük, a 9,000 year old tell site in Turkey.  This virtual embodiment of past peoples confused modern social boundaries of student and professor, archaeological subject and object, artifice and artifact.

In a session bringing together practice and research within audio-visual representations of archaeological sites, this presentation will explore the profound discomfort, complications, and surprising insights that come with navigating archaeological “fact” and fiction through embodied storytelling in a virtual world.

So, if you’ve never checked out OKAPI Island, I suggest you do so ASAP:

http://slurl.com/secondlife/Okapi/128/128/0

Video Game Cartography and the Magic Circle

CIV2

In partial fulfillment of my designated emphasis in New Media, I’m taking a class this semester with Ozge Samanci, the author/cartoonist of ordinary things, a web comic. I am really busy with dissertation and whatnot, but I always enjoy taking classes in the New Media department as they are truly interdisciplinary–I’ve met fascinating grad students from the School of Information, Rhetoric, and Religious Studies and they give me unique perspectives on the work I do.

So one of the students in the class is writing his thesis on Narratology and classic Japanese video games, the kind that I played years ago, like Final Fantasy VII, Suikoden, and Final Fantasy Tactics. I also played Civilization II, which is where the above image came from–it’s one of the only examples I could find!

Anyway, during the course of discussion regarding Seymour Chatman’s structuralist literary theory I realized that I visualize exploring space in a way very closely relating to those early video games.  When I go to a new city or go out on survey, I think of myself as clearing a path through darkness, “mapping” the features of the landscape, illuminating them in my mind. I always have the urge to clear out all of the dark space, to explore every centimeter until it is all visible, in relief, in my mental map of the space. This is probably not deeply unique, but I find it pretty funny that these early video games gave me such a rigid mental metaphor for experiencing place. As Sybille Lammes says in her excellent Cultural Functions of Spatial Practices in Video Games, “in Latourian terms, one could state that the game space consists of landscapes as hybrids of objective and subjective spatial (re)presentations.” I’ve blogged about augmented reality before, without realizing that I already experience space in a oddly cyborgian way.

Lammes also describes the ludological term, “the magic circle,” a “membrane that encloses virtual worlds,” which Lammes states is “more about games as space than about space in games” but that it still has “major consequences for the way spatiality can be understood in games.” I’ve somehow permeated the magic circle and brought a visualization metaphor out into the real life to overlay my experience of the world.

Hmph. Maybe I should carry a sword.

Texting and the Telegraph

Many New Media scholars find it productive to compare technological innovations and their impact on society throughout time as a way to ground their current research.  In Techniques of the Observer, Jonathan Crary traces the modern construction of the observer and visuality to the camera obscura, an early device used for redirecting light to project an image of its surroundings onto a screen or paper. The connection between texting and the telegraph seems more straightforward. After all, I did just sign up for another two years of service from American Telephone & Telegraph.
Evans: Could you come superintend under my direction important excavation Knossos. Personal not school affair terms four months sixty pounds and all expenses paid to begin at once.
Mackenzie: Agreed coming next boat.
- Telegrams between Arthur Evans and Duncan Mackenzie regarding work at the excavation at Knossos
The 2008 Pew Internet report on Writing, Technology and Teens came amidst concerns over the “death of writing” and the “colour and poetry” of writing being lost. The Pew study also states that students do not consider texting writing, and indeed it appears to be closer to a vernacular form of speech. In Taylor and Vincent’s 2005 An SMS History they describe this speech as “new linguistic repertoires that allow for the intimacy afforded in face-to-face encounters to be reproduced between physically remote interlocutors,” in other words, a unique texting argot.

Alternately, Caroline Habluetzel looks at texting as occupying a unique position between speech and writing, allowing it to “overcome the absence of the receiver and create what in the context of classic letter writing has been called epistolary presence, that is, a sense of presence between the two interlocutors that is more intense than geographical distance would suggest.”

This changing of our sense of place and space through time is something that I’ve always been interested in as an archaeologist.  The affordances of texting and telegrams are similar enough–limited transmission length, relatively expensive, conveyance of instantaneous information that is expected to be read and acted upon immediately–that it creates an intriguing parallel in history.  Tom Standage calls the telegraph The Victorian Internet in his book with the same title.

It appears that the telegraph has not destroyed writing, nor will texting. If anything, I appreciate the shortness of the telegram agreement quoted above between Arthur Evans and Duncan Mackenzie–how wonderful it would be if more jobs had similar hiring practices!

Blogging Archaeology – Update!

This week has been big for me in the blogging world! First, I am chuffed to make Archaeology Magazine’s list of Top 5 Archaeology Bloggers:

http://archaeology.org/blog/?p=965

Welcome to everyone who has followed their link to this blog–I’m currently working at Tall Dhiban in Jordan and hope to have more updates about the archaeology in the very near future.

Also, the much esteemed Kris Hirst of Archaeology at About.com has agreed to be the discussant for the Blogging Archaeology session at the Society for American Archaeology in 2011. There’s more information on the session here:

http://middlesavagery.wordpress.com/2010/05/07/blogging-archaeology-saa-2011-draft/

I should have an updated abstract soon.